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will love Sign up for LibraryThing to find out whether you'll like this book. The erotic charge of this astonishing exploration of the sexuality of childhood fantasies seen through adult eyes is immense but it becomes relentless by the final volume and I felt as though I was being battered by an almost didactic epistemology. Perhaps I should have read it in smaller portions. An interesting read. First, I recommend reading the reviews below. I will not repeat a lot of what is said there, most of which is excellent. Although there is a ton of sex in this series of books, they are not about sex, in the same way that Moby Dick is not about whaling. Moore and Gebbie essentially assault you with sex, surround you with sex, fill you with sex, and get you all worked up about sex, sex, sex, sex, sex. But that is a ploy. I heartily recommend reading volume III in one sitting. It makes the ending that much more poignant. As if we didn't know that Alan Moore was a very strange man... Lost Girls doesn't always make for comfortable reading, but a lot of it is very... enjoyable. The rest is thought-provoking. The art is gorgeous. I should probably add that I haven't read any of the three works it's based on. I probably should...
So "Lost Girls" is shocking, it's lovely, it's ambitious, it's grandly clever -- but is it any good? Yes: It's very, very good, if flawed. Parts of it are some of the most extraordinary stuff Alan Moore has ever written; parts of it made me want to tear my own eyes out. (Some of them are the same parts.)
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My favorite of the 3 books was the second one. The stories the women tell in this book were far more sensual than the all-out depravity of the third book (the depravity didn't offend me, per se, but it did make me cringe). Dorothy, for example, has her first sexual experiences with a farm hand who bales hay (a man of the straw, you might say...) and is sexy, but kinda dumb (no brain...get it?). Dorothy gently lets him know that she can't be with him anymore before she describes traveling down a metaphorical road of sexual discovery. Likewise, Alice's stories involve exploring sex with other girls at her boarding school. I liked the emphasis on female sexuality and sexual awakening--and how not all the sex acts involved traditional heterosexual intercourse. Despite the Sadean sexual insanity of the third book, Moore has respect for sexuality as part of one's identity--something to explore and own, rather than to be ashamed about and repress. For these reasons, the book was enjoyable, fun, and somewhat thought-provoking. But not for the faint of heart, obviously. (